A Late Evening in Summer

Six-thirty on the clock on 11th June sees the sun inching down the horizon, its rays sputtering, spent, like pens running out, leaving thoughts suspended mid-air. The slowly dipping sun finds me on the balcony, trying to squeeze in a couple more chapters of the previous year’s Booker-shortlisted novel, before the darkness drives me inside much like the mosquitoes, which, like the noisy children of a favourite aunt, come with the clouds and the petrichor.  A breeze, an unexpected relief, tries to dislodge a lock of hair from its perpetual position at the top of my head, and the lock forms into a tight knot against the heat.

I hear my name coming down from the sky. Craning my head out of the balcony and looking up, I see Baba on the terrace, shouting the somewhat embarrassing, yet much-loved nickname he christened me with, evoking smirks from the downstairs neighbours. It appears everyone is outdoors for a taste of the breeze.

I close the book mid-chapter, somewhat grudgingly. Thinking about the last few pages, I slip my feet into a pair of kolhapuris, realising only as I climb the stairs that I had put on slippers from two different pairs. I step on to the terrace, and find myself on the path of a wasp, which hurriedly changes its trajectory to avoid collision. I find Baba lounging in a chair, sipping what probably is his seventh cup of tea today. Dadi is standing over him, hands on hips, demanding why her rajinigandhas hadn’t been transplanted yet. “They’ll die,” she remonstrates, “if there are too many to a flowerpot.” Baba asks her to wait for the rains. They spy me; he excitedly shows me his latest acquisition—a plant. A single stalk, small leaves, and a spray of thin red flowers at the end of the stalk.

As we admire the newest addition to the riot of greenery, Dadi, now positively angry, starts on a diatribe about how her plants are going to die before they flower. Baba counters with, “How will they die if transplanted right now?” As they argue, I wander off, examining the okra plants, which had started bearing fruit after weeks of being covered in yellow flowers. I see the delicate tendrils of the bean plants winding around a wooden frame; in a fortnight, the much-despised vegetable will sprout in plenty. I see the spot by the barren rosebush where I had once read Vikram Seth so far into the day that there had been a minor panic downstairs about my whereabouts; that was probably the evening I got the mosquito bite which gave me dengue.

Remembering that monsoon evening almost four years ago, I wander back in the vicinity of my grandparents, who have, as I expected, veered off into another totally unrelated argument—of Baba ruining the plants with his ‘crazy’ YouTube hacks. His obsession with YouTube, a recent discovery—one on which I had spent much time teaching him to use—irks Dadi constantly. Before she launches into her favourite ‘mobiles-have-ruined-everything’ speech, Baba proudly states how his hacks have saved the plants from the scorching Delhi sun in June. Dadi, having finally exhausted her patience with him, picks up the empty teacup and huffs back downstairs for her evening ritual of radio and Sudoku.

Baba and I exchange a grin. I roam around the terrace, sniffing the last jasmine on the lone plant, walking through a puddle of water and leaving mismatched prints on the cemented floor. I tell Baba that I too am going downstairs. At the door, I turn to look at his hunched, now-frail body, legs thinner than they have ever been. I see him digging up the rajinigandha bulbs, burying them in an empty flowerpot, giving it life. Forty-five years of companionship summed up in an evening.

I smile, make my way downstairs, and enter the house. Ma comes out of a room, and in the midst of handing out chores in a frenzy, her voice becomes loud, high-pitched, and hysterical; I glance back and see a trail of mismatched, muddy footprints that have ruined her spotless floor. I scramble off to get a mop, inwardly grinning at her compulsive need for cleanliness, before she reaches the subject of grades in her diatribe against my multiple levels of incompetence.

Focusing on Literature and Lifestyle of the Urban Youth of the Country, LitGleam is a monthly magazine, an intrinsic part of BlueRose Publishers.

Within its pages, our readers find provocative essays on literature and lifestyle, guidance for getting published and pursuing writing careers, in-depth profiles of poets, fiction writers, and writers of creative nonfiction, and conversations among fellow professionals.

More Stories
How We Connect with Stories